Source: https://eschatialabs.com/it/about/

# Il laboratorio

[Eschatia Labs](https://eschatialabs.com) è un laboratorio indipendente di ricerca sull’intelligenza artificiale open source fondato da Mert Kaya e Betül Keleş Kaya. Pubblichiamo modelli, test aperti, dati, software e articoli perché altri possano esaminare il lavoro e ripetere i risultati.

Studiamo modelli decisionali per compiti specifici, assistenti locali e metodi spiegabili per rilevare volti alterati dall’intelligenza artificiale.

Deem-4B, Karar-4B e Wähler-4B prendono decisioni in inglese, turco e tedesco. Tholos esegue gli assistenti sul proprio computer. Eldalambë controlla le risposte sulle lingue elfiche di Tolkien con un dizionario e regole grammaticali; l’articolo è pubblico, mentre codice, dati e modelli sono privati.

[Eschatia](https://eschatialabs.com) (ἐσχατιά) è il termine del greco antico per il margine esterno di un territorio.

[Contatti](https://eschatialabs.com/it/about/#contact)

## Team fondatore

- Fondatore ### [Mert Kaya](https://mertkayacs.com/it/). Mert studia il rilevamento spiegabile dei deepfake, i piccoli modelli linguistici, i modelli decisionali, gli assistenti locali e gli strumenti per coordinare assistenti software. Ha conseguito una laurea magistrale in informatica alla TED University.
  - [mertkayacs.com](https://mertkayacs.com/it/)
  - [GitHub](https://github.com/mertkayacs)
  - [Hugging Face](https://huggingface.co/mertkayacs)
  - [Kaggle](https://www.kaggle.com/mertilovski)
  - [LinkedIn](https://www.linkedin.com/in/mertkayacs)
  - [ORCID](https://orcid.org/0009-0006-7018-3027)
- Co-founder e Head of Design ### Betül Keleş Kaya
  - Laurea magistrale in architettura in corso presso l’Anhalt University of Applied Sciences (DIA)
  - Laurea in architettura alla Çankaya University con il miglior risultato del corso
  - [LinkedIn](https://www.linkedin.com/in/bet%C3%BClkele%C5%9F/)

## Contatti

[mertkayacs@gmail.com](mailto:mertkayacs@gmail.com)

## Crediti immagini

**Mostra tutti i 10 record**

- ### Montagne al confine aperto [Eschatia Labs](https://eschatialabs.com) · 5 ottobre 2026. Generata con IA, [Eschatia Labs](https://eschatialabs.com). Rimosso il fondo della carta e avvicinata la tonalità al blu cobalto del logo. **Modello, ID del processo e prompt** Nano Banana Pro, Higgsfield · 563e9121-f8d4-4261-bcdf-5988cc686a6e. A pen-and-wash landscape study in the manner of a classical museum drawing: fine dark-blue pen line with cobalt and ultramarine watercolour washes on warm cream cold-press cotton paper, very wide landscape sheet. A low range of angular Greek mountain peaks in overlapping cobalt washes with crisp pen contours runs across the lower part of the sheet, between about half and four fifths of its height; the nearer ridges are deeper blue, the distant ones pale and grey. Above it lies a wide, empty sky of bare cream paper, with one faint blue wash rising from the peaks and dissolving upward. The range thins out into mist before the left and right edges, and its foot dissolves into bare paper well above the bottom edge. Only cobalt, ultramarine and a soft neutral grey, no other colours. Calm, quiet classical Greek mood. A wide empty margin of untouched cream paper on all four sides. No animals, no people, no buildings, no text, no letters, no signature, no frame, no border, no watermark.
- ### Montagne al confine aperto, in movimento [Eschatia Labs](https://eschatialabs.com) · 7 ottobre 2026. Generata con IA, [Eschatia Labs](https://eschatialabs.com). Animato dall’acquerello statico in una sequenza calma di sei secondi; lo sfondo quasi bianco è stato portato al bianco puro. **Modello e ID del processo** Kling 3.0, Higgsfield · 1b2f29b4-42d2-4128-a2ea-d7723bdca6db
- ### Le cime e il loro riflesso [Eschatia Labs](https://eschatialabs.com) · 5 ottobre 2026. Generata con IA, [Eschatia Labs](https://eschatialabs.com). Rimosso il fondo della carta e avvicinata la tonalità al blu cobalto del logo. **Modello, ID del processo e prompt** Nano Banana Pro, Higgsfield · bede00a0-058e-4604-91f9-61875b4480f5. A pen-and-wash landscape study in the manner of a classical museum drawing: fine dark-blue pen line with cobalt and ultramarine watercolour washes on warm cream cold-press cotton paper, landscape sheet. A still mountain lake lies across the middle of the sheet: a low range of angular Greek peaks with crisp pen contours stands above the water, and its reflection lies in the calm lake below in softer, paler washes. The reflection differs from the peaks in one quiet detail: one peak casts no reflection. Bare cream paper above the peaks and below the lake; the scene thins into mist before the left and right edges. Only cobalt, ultramarine and a soft neutral grey, no other colours. Calm, quiet classical Greek mood. A wide empty margin of untouched cream paper on all four sides. No animals, no people, no buildings, no text, no letters, no signature, no frame, no border, no watermark.
- ### Il bivio sotto il passo [Eschatia Labs](https://eschatialabs.com) · 5 ottobre 2026. Generata con IA, [Eschatia Labs](https://eschatialabs.com). Rimosso il fondo della carta e avvicinata la tonalità al blu cobalto del logo. **Modello, ID del processo e prompt** Nano Banana Pro, Higgsfield · 76d850dc-7e5a-4114-b3ba-c57133454138. A pen-and-wash landscape study in the manner of a classical museum drawing: fine dark-blue pen line with cobalt and ultramarine watercolour washes on warm cream cold-press cotton paper, landscape sheet. A high mountain plateau with a narrow footpath that comes from the foreground and divides into two paths beside a small stone cairn; one path climbs toward a pass between angular Greek peaks, the other winds down into a pale valley. Crisp pen contours, deeper blue for the near ground, pale grey for the distant ridges, a wide bare cream sky. The land thins into mist before the left and right edges and dissolves into bare paper above the bottom edge. Only cobalt, ultramarine and a soft neutral grey, no other colours. Calm, quiet classical Greek mood. A wide empty margin of untouched cream paper on all four sides. No animals, no people, no buildings, no text, no letters, no signature, no frame, no border, no watermark.
- ### Un rifugio sul crinale [Eschatia Labs](https://eschatialabs.com) · 5 ottobre 2026. Generata con IA, [Eschatia Labs](https://eschatialabs.com). Rimosso il fondo della carta e avvicinata la tonalità al blu cobalto del logo. **Modello, ID del processo e prompt** Nano Banana Pro, Higgsfield · 6ab8e77f-ec27-4ac9-8823-ac5623b20f11. A pen-and-wash landscape study in the manner of a classical museum drawing: fine dark-blue pen line with cobalt and ultramarine watercolour washes on warm cream cold-press cotton paper, landscape sheet. A small round dry-stone shepherd's hut with a low domed roof sits alone on a mountain ridge, a thin line of smoke rising from its top into a wide, empty cream sky. Angular Greek peaks fade into pale grey behind it. Crisp pen contours on the hut and the nearest rocks, soft washes elsewhere; the ridge thins into mist before the left and right edges and dissolves into bare paper above the bottom edge. Only cobalt, ultramarine and a soft neutral grey, no other colours. Calm, quiet classical Greek mood. A wide empty margin of untouched cream paper on all four sides. No animals, no people, no text, no letters, no signature, no frame, no border, no watermark.
- ### Alberi nella nebbia [Eschatia Labs](https://eschatialabs.com) · 5 ottobre 2026. Generata con IA, [Eschatia Labs](https://eschatialabs.com). Rimosso il fondo della carta e avvicinata la tonalità al blu cobalto del logo. **Modello, ID del processo e prompt** Nano Banana Pro, Higgsfield · e153c4f2-f61b-48e2-b79e-e8050db5f155. A pen-and-wash landscape study in the manner of a classical museum drawing: fine dark-blue pen line with cobalt and ultramarine watercolour washes on warm cream cold-press cotton paper, landscape sheet. A grove of tall, slender trees stands beside still water at the foot of pale mountains, half lost in morning mist; the nearest trunks have crisp pen lines and deep cobalt foliage washes, the far trees fade to pale grey. Wide bare cream paper above the treetops; the grove thins into mist before the left and right edges and dissolves into bare paper above the bottom edge. Only cobalt, ultramarine and a soft neutral grey, no other colours. Calm, quiet classical Greek mood. A wide empty margin of untouched cream paper on all four sides. No animals, no people, no buildings, no text, no letters, no signature, no frame, no border, no watermark.
- ### Articolo UBMK 2026, Figura 1. Mert Kaya e Venera Adanova · 2026. Preprint presentato a UBMK 2026 · Figura 1 [© 2026 IEEE. Personal use is permitted. Other uses require permission from IEEE.](https://eschatialabs.com/papers/ubmk-2026.pdf) [Fonte](https://eschatialabs.com/papers/ubmk-2026.pdf)
- ### Articolo UBMK 2026, Figura 2. Mert Kaya e Venera Adanova · 2026. Preprint presentato a UBMK 2026 · Figura 2 [© 2026 IEEE. Personal use is permitted. Other uses require permission from IEEE.](https://eschatialabs.com/papers/ubmk-2026.pdf) [Fonte](https://eschatialabs.com/papers/ubmk-2026.pdf)
- ### Articolo UBMK 2026, Figura 3. Mert Kaya e Venera Adanova · 2026. Preprint presentato a UBMK 2026 · Figura 3 [© 2026 IEEE. Personal use is permitted. Other uses require permission from IEEE.](https://eschatialabs.com/papers/ubmk-2026.pdf) [Fonte](https://eschatialabs.com/papers/ubmk-2026.pdf)
- ### Articolo Eldalambë, Figura 1. Mert Kaya · 2026. Preprint Eldalambë · Figura 1 [© 2026 Mert Kaya](https://eschatialabs.com/papers/eldalambe-2026.pdf) [Fonte](https://eschatialabs.com/papers/eldalambe-2026.pdf)